Skip to main content Skip to search results

Showing Records: 1 - 7 of 7

Ave Maria, 2004

 Item
Identifier: P0346
Scope and Contents

For SSATTB Voices. Anton Bruckner, edited by Richard Proulx. Recorded on "Catholic Marian Classics," CD-539/CS-539.

Dates: 2004

Ave Maria, 2004

 Item
Identifier: P0347
Scope and Contents

SATB Voices. Tomas Luis de Victoria, edited by Richard Proulx. Tune: AVE MARIA, Gregorian Chant, Mode I, edited by Richard Proulx. Text: Luke 1:29. Latin, 13th C.

Dates: 2004

Ave verum corpus, 1968

 Item
Identifier: 4026
Scope and Contents From the Series:

Manuscript works by composers other than Richard Proulx. Includes manuscripts sent to Proulx for review as well as collaborations with other composers.

Dates: 1968

Lenten concert -75 no. I, 1975

 Item
Identifier: SJU_25
Scope and Contents From the Collection:

The collection consists of hundreds of original manuscripts, published works, correspondence, sound recordings, and Proulx's substantial reference collection.

Dates: 1975

Nunc Dimittis, 2015

 Item
Identifier: PS071
Scope and Contents

Nunc Dimittis = (Let your servant go in peace) for SATB a cappella / [music by Bryan Beaumont Hays] ; written in the traditional Latin : Canticle of Simeon. Publisher's number AP-10531. Songs "Nunc Dimittis servum tuum, Domine, secundum verbum tuum in pace, in pace." (Master, now you are dismissing your servant in peace) The Canticle of Simeon SATB 2015 Alliance Publications Sinsinawa, WI. 2:20 41

Dates: 2015

Salve Regina, 1992

 Item
Identifier: P0175
Scope and Contents

SATB a acppella. Text: Hermann the Lame.

Dates: 1992

Verbum caro factum est = Word made flesh, we welcome you, 1994

 Item
Identifier: P0212
Scope and Contents Word Made Flesh, We Welcome You. Text: Anon. 15th C. English, Based on John 1., Trans. R.P. 15th C. English Carol, edited by Richard Proulx. 1 score has markings in pencil.This piece was in a file entitled, "RP scores, work on." Originally, it was a piece written for 3 equal voices by T. L. da Vittoria (or Victoria), and was published in octavo form by Gregorian Institute of America. Richard Proulx apparently had plans to edit the piece. In the margins, he wrote a few...
Dates: 1994